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Issue 5
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Thursday December 3
Walking around any city in the world you'll find glorious old buildings of yesteryear left empty. Dilapidated and derelict. It doesn't take too much imagination to think of uses for these old buildings for a better cause other than erosion and rot.

These very buildings could be bustling with artists, rehearsal spaces for new musicians, independent coffee stores. Even markets, and small start up businesses.

Let's not forget one thing, people make the world go round.

issue 005 - Renew Adelaide

On the site now (It's updated every day!):
HEAR: Oneohtrix Point Never, Rifts
WATCH: French Kissers

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Cover photo by Hugh-Langlands Bell. If you would like to submit a cover shot email daniel@rightanglestudio.com.au

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STREET
  Street 1   Street 2   Street 3   Street 4  
  Street 5   Street 6   Street 7   Street 8  
Lightning Bolt at Fowlers Live
Credit: Hugh Langlands-Bell
 
  COOL   FOOL  
  Surprise cat!
Black Metal Movie
Mountain Fold issue #3
Platehater
Wizard Smoke
If drawings were photographs
Chris Pesto
Benja Harney
Rammstein v Cookie Monster
McCarthy's typewriter
Artists on their Bicycles 2010 calendar
I have love. GASBOOK x Ciaopanic
WW&B
Nintendo soaps


Tell us what's cool
cool@fivethousand.com.au
  Rude bat
Man boobie
Get me a cold
See you later
Wizz kid
Where ideas go to die
Christmas Shoes
Piechart barney
robots v cockroaches
Freedom fighter
Spray on your Jesus
I have drugs. Government x LSD
One way bathrooms
douche juice


Tell us what's fool
fool@fivethousand.com.au
 
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READ
  Cookbook

What:
Cookbook

Who:
Wolfgang & Shlomo

Where:
Online through Leeloo

How much:
$48

 

A million miles away from the over done gloss of Jamie, Nigella and co., Cookbook is that rare breed: the kind of recipe book you won't feel compelled to hide behind the rice cooker when guests come over.

Divided into three courses with accompanying colour code, typeface and linocut artwork by Ned Culic, Jon Campbell and Tin & Ed, Cookbook showcases twenty-four favourite home-style recipes from local food luminaries such as Neil Perry of Rockpool. Though the brief is stretched a tad by the likes of Ben Shewry's 'Carrots cooked in earth with wild onions and clover', it's all doable, especially if you have access to a shovel and don't mind getting your hands dirty. The message here seems to be that food, much like publishing, should be approached with ambition and imagination.

It's a limited run of 250 individually numbered copies hand-printed onto thick card 'pages' thanks to an old letter press, with all profits donated to The Australian AIDS Fund. This makes Cookbook both a beautiful thing and an impeneterable fortress of goodness.

By Max Olijnyk

 
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HEAR
  Thee Oh Sees, Help

What:
Help

Who:
The Oh Sees

On:
In The Red

Show:
Thu Dec 10, 8pm at The Metro Hotel with Batrider and Bitch Prefect.

Giveaway:
Email win@fivethousand.com.au with the subject title 'I see, you see, we see, Thee Oh Sees' for a copy of Help and a double pass.

View map

 

Coming in various incarnations such as The Ohsees, OCS, or Orange County Sound - Thee Oh Sees bring the underground of the 60s - tinged with 50s rockabilly - and venture on occasional excursions into a little country called 'spazzed out noise land'.

The aesthetic is visceral garage rock and roll. It's fun and dirty at the same time, without any semblance of bullshit or pretension of profundity. At the same time, Thee Oh Sees are not just another lo-fi band but are a room full of sweaty people, gyrating and shaking vigorously. Fun and dirty.

Pushy grooves, echoes, yelps and hooks pop out via glowing hot red tubes that occasionally reach out to touch the more self-indulgent, acid effected shimmer haze era to which the band dutifully pays homage. The dueling vocals of Dwyer and Brigid Dawson marry and juxtapose symbiotically. A little like a salad with exactly the right blend of textures. So tasty.

By Dan Gladys

 
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SHOP
  Boatshed Markets

What:
Boatshed Markets

Where:
230 Flinders Street, opposite the German Club.

When:
Sat & Sun, 9am - 4pm

View map

 

Why there's a gargantuan boatshed in the middle of the Adelaide CBD is cause for confusion; particularly as there are no significant bodies of water in the immediate vicinity. The Torrens? Not much more than Pop Eye can fit in there and even he gets stuck. So I can only assume this is why the Flinders Street boatshed has been put to good use as the venue for one of Adelaide's most eclectic weekend fancy fairs.

Grizzly stallholders and general squalor aside, the Boatshed Markets are home to some truly wonderful wares. On any given weekend between 9amish and 4pmish, CWA-style jams and potted plants can be got for only a tuppence . You know you like jam.

A good rifle through the vast array of cardboard boxes up the back is likely to produce some genuinely spectacular finds. I once bought an adorable Staffordshire Terrier figure for $5 only to see it valued on that incredible piece of television, Antiques Roadshow, at $300. Other drawcards include the weekly sausage sizzle and a stallholder named Percy who is generally blathering drunk. But no boats, sorry.

By Emily Tichy

 
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LOOK
  Abstract Landscape Paintings, Shota Karahawa

What:
Abstract Landscape Paintings, Shota Karahawa

Where:
Max Dawn Gallery, 47 Phillips St Thebarton

When:
Opens Sat Dec 5, 7pm
Runs until Dec 19th

How much:
Free

Contact:
maxdawngallery@gmail.com

View map

 

Kawahara's artist statement on the Max Dawn blog includes the words ‘unconscious' and ‘visualising'. Now excuse me if I'm grossly oversimplifying someone's life work for the sake of a fashionable drug reference. But you know what those words mean? PSYCHEDELICA. Trippy shit.

Sure enough Kawahara's work consists of luridly bright colours, flower power influences and patterns. Post-modern psychedelia. However his paintings are the product of travel and residences through Australia, New Zealand and Samoa. As he puts it, art is a means of ‘visualising ones philosophy'.

Kawahara's personal vision should fit in fine at Max Dawn, who in their brief but busy life as Thebarton's home of contemporary art, have shown a tendency towards showing sophisticated and eccentric artists. They even showed the DJ from Sugar - Driller. You know, the one who always plays "Ride the White Horse".....

By Chloe Langford

 
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WATCH
  Where The Wild Things Are

What:
Where The Wild Things Are 

Where:
In cinemas from Dec 3

Watch Trailer:
Here 

 

Well, the hipster event of the year is finally here. In turning Maurice Sendak's 338-word evocation of childhood rage into a 101-minute movie, have Spike Jonze and Dave Eggers done justice to the memories of Generation Coolsie? Well, yes and no.

Max Records is just brilliant as Max. He's sparky and articulate, but not in a creepily precocious, Haley Joel Osment way. He may be smart and resourceful, but you never forget he's just a little kid who cries, tantrums and gets scared. I felt the only false note was when Eggers put the line, "Woman, feed me!" in his mouth. The Wild Things' voice and body acting meshes impressively; they seem so real, and Jonze has used ambient light evocatively to make them look at home in their environment. The movie is beautifully shot.

But it really annoyed me that Eggers made Max's real-life worries dog him in his own imagination - and gave him even more problems to cope with. As king, Max becomes an HR manager mediating in the Wild Things' interpersonal dramas. In Sendak's book, Max leaves when he realises non-stop rumpusing gets boring; here, he leaves because he just can't hack the stress any more.

By Mel Campbell

 
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GOODS
  BYO Coffee Cup

What:
BYO Coffee Cup

Who:
hookturn industries

Where:
Online here

How much:

$10.95 or thereabouts

 

How many buyers would purchase expensive surgical enhancements to their bone covers if the result looked like someone slid massive Twisties under their skin? A few outsiders, sure. The Ignatius J. Reillys of makeovers. But the market would be limited. Most people want fake to look real, with benefits.

The same goes for another extension to your body - your coffee cup. Reusable coffee cups already established here look like the industrial design equivalents of a packed lunch. Who wants to start every morning looking like their mum is trailing them at a discreet distance, wet wipe at the ready?

Mercifully, the local neon minds at hookturn have created a silicon clone of the humble coffee cup. Only standard colours are available, preventing aqua and lime blunders. And while you're steppin' out pretty with your lighter carbon footprint, notice the pleasing bouncy attribute of your new possession. Rebound it off the head of a stranger. Evade them by dashing around several corners, then pause and ponder the state of the world. Chaplin would be proud.

By Sean Wilson

 
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EATDRINK
  K-Box Karaoke Bar

What:
K-Box Karaoke Bar

Where:
84 Hindley St, City

How Much:
$6 per hour

Contact:
08 8211 6222

View map

 

Do you consider yourself handy? Like a bit of DIY? - There's nothing more DIY than massacring Mariah Carey YOURSELF - But also like a bit of a party? Then you better load up the Datsun with friends and head to K-Box Karaoke. With the ultimately uncontrollable megamix at your fingertips, beer available by the carton and spirits by the bottle, what more does one need for a DIY Party time? Some singing skills might help, maybe even a deep understanding of complex Karaoke machines, too.

The private rooms at K-Box are lined with black leather couches and come with multiple microphones for drunkenly warbled duets. Room hire is available by the hour, just like all the finest Hindley St establishments. With so many self-named DIY experts these days it's time to give them a run for their money and make your own party. A DIY Karaoke Super Happy Fun Time Party.

By Miranda Riley

 
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STRAY
  Renew Adelaide

What:
Renew Adelaide

Where:
The Streets

When:
Join the Facebook group now.

 

I'm pretty sure Marcus Westbury thinks I'm a dick.

I was at a conference in Westbury's hometown of Newcastle a couple months ago, and there was a sort of miscommunication at a panel discussion thing, and now he thinks I'm a dick. Later on I knocked over a lamp and Westbury had to unplug it because I'd turned it into a "fire hazard". FML.

The reason I care about what Westbury thinks of me is because he's pretty much a DIY saint - blessed is He among emerging artists and blessed is the fruit of His loins, Renew Newcastle.

In a nutshell, Renew Newcastle is a scheme that allows landlords to sign kid-sized "micro-leases" without fear of losing money through capital gains tax and various other grown-up things that we needn't worry about here. Suffice to say, the scheme has allowed dozens of hair-brained teahouses shop fronts, galleries and rehearsal spaces to bloom all over what had long ago devolved into a fallow, postindustrial ghost town.

Renew Adelaide anyone? Local impresarios Brigid Noone and Ianto Ware are now working on applying Westbury's template to Adelaide's derelict spaces. Keep tabs on them, and keep your own eyes peeled for boarded-up shops.

By Stan Mahoney

 
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OUT
 
 

What:
Radio Adelaide's Annual CD, Record and Book Sale

Where:
228 North Tce, City

When:
Fri Dec 4, 10am - 4pm

How much:
5 cents plus.

 

Anytime there's a record and book fair, there's always a chance that there is going to be mile upon mile of Bacharach, Kamahl, and Tchaikovsky compilations. Such an awful thought isn't it. Just like escaping hell it's pretty hard to escape the rotation of "what's new pussycat whoo-ahh-oooh-aahhh" in your head or maybe you'll just sulk around flicking through sleeves thinking to yourself, "why are people so unkind?". Radio Adelaide likes to provide a little something different and with hope, no one's going to Bacharach's inferno this time.

 
 
 

What:
Crayon Fields CD Launch + Bing Goes to Monaco + Hit The Jackpot

Where:
The Metro Hotel, 46 Grote St, City

When:
Sat Dec 5, 8pm

 

Seems like The Metro Hotel is in every single issue of Five Thousand doesn't it? So let's just get things straight through a little disclaimer. a) We are not The Metro Hotel. b) We do not work there. c) We are not being bribed. d) We probably attend it around 1.2 times per week, nothing crazy. So it's as simple as this. The Metro books good good bands. This Saturday Melbourne's Crayon Fields launch 'All The Pleasures', with Bing Goes to Monaco and Hit The Jackpot.

 
 
 

What:
Killer Bees, new works by Benzo

Where:
B# Records, 240 Rundle St, City

When:
Wed Dec 9, 6pm-9pm

How much:
Free

 

Must be pretty tough being a struggling artist. Barely eating, living out of a bag and sleeping on other peoples floors. Stuff like international travel seems such a world away. NOT for this mysterious man who goes by the name Benzo. Check out this piece in Lyon by Benzo and Nelio. Really nice.

Adelaide's busy man Benzo has designed the latest of B# Records' artist series tees and also has been busy with some new illustrations. All on graph paper. 

 
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WIN
 

Men so often get forgotten in the accessories department. The vibe's pretty much "You've got pockets don't you? Functional ones? Well shoosh up and be a man then. Surely you can make do with a money clip."

But we say even the manliest of men deserves fine leather. Fine leather in a generous selection of colours, hand made if you will. So do Cheddar Pocket, whose lovely (but very manly) wallets are designed to get better with age and weather beautifully as time passes.

They're also releasing a selection of (staunchly masculine) belts and bags soon, so you'll have an alternative to your loop of string and tool kit.

Right now though, we have two Daryl wallets to give away! To enter, just answer the following question.

 

This week's question:

Real men

a) like steak

b) wash their hair with sheds

c) never say sorry

d) have real wallets

To be in the running send your answer AND postal address to win@fivethousand.com.au, winners will be notified by email. Subscriber only entry. Not a subscriber? It's free you willies! Sign up here www.fivethousand.com.au.

 
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ABOUT US
 

FiveThousand is a weekly snapshot of Adelaide's subculture, fired by email into the loving arms of people who realise that the best things in life are often hard to find. It is compiled by an amorphous gaggle of writers, stylists, designers and photographers who all like huddling under that big umbrella we call creativity. Without editorial independence FiveThousand has nothing. All editorial you read is featured because it's worth it - not because it's paid for.

ADVERTISING PARTNERSHIPS
FiveThousand is a trusted and proven medium for advertisers to engage with Adelaide's most elusive individuals - our subscribers. Each issue offers one advertiser the opportunity to have sole presence in the e-newsletter. A variety of placements (three, to be exact) are also available on fivethousand.com.au. For more information on advertising with FiveThousand, contact:

MANAGING DIRECTOR
Francesco Nazzari
frunch@rightanglestudio.com.au

FEEDBACK
Have something to say? Then say it by emailing fivethousand@rightanglestudio.com.au

DISCLAIMER
The information in FiveThousand is subject to change. Although we attempt to ensure that the content at the time of publication is correct, we do not guarantee its accuracy or currency. Right Angle accepts no responsibility to you or anyone else arising from any use or reliance on the information contained in FiveThousand or any inaccuracy in the information. The views and opinions expressed on material included in FiveThousand may not reflect those of Right Angle.

 

CONTACT
Right Angle Studio
Level 6, 252 Swanston St
Melbourne, VIC, 3000

FIVETHOUSAND TWITTER
twitter.com/FiveThousand

FIVETHOUSAND FACEBOOK
Search fan page: Five_Thousand

GROUP PUBLISHER
Barrie Barton
+61 3 96621657
barrie@rightanglestudio.com.au

PUBLICATIONS MANAGER

Penny McVey
pennymcvey@rightanglestudio.com.au

MARKETING DIRECTOR
Matt Langler
matt@rightanglestudio.com.au

SENIOR EDITOR
Nadia Saccardo
nadia@rightanglestudio.com.au

EDITOR
Daniel Gladys
daniel@rightanglestudio.com.au


SENIOR CONTRIBUTORS

Penny Modra
Rachel Surgeoner
Lisa Lerkenfeldt
Danielle Marsland
Dan Gladys
Mugagga Kaggwa
Emily Tichy
Miranda Riley
Nick Peters
Robert Coleman
Stan Mahoney
Alice Fenton
Rachel Elliot-Jones
Jason Crombie

 
 
 
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