The Thousands

The palimpsestic title is a clue: Martha’s (Elizabeth Olsen) innermost identity has been blurred and desecrated by an abusive cult whose leader, Patrick (John Hawkes), renames her ‘Marcy May’, and forces all female members to answer the phone as ‘Marlene’. Seeking shelter with her estranged sister Lucy (Sarah Paulson) and Lucy’s husband Ted (Hugh Dancy), she doesn’t trust her memories yet is petrified Patrick is coming to reclaim her.

Writer-director Sean Durkin’s debut feature is subtly, almost perfectly calibrated between idyllic and terrifying, all the way to its chillingly ambiguous ending. Durkin expertly allows episodic, impressionistic scenes to unfurl and overlap, revealing how seemingly benign everyday objects and gestures have become horrible to Martha, and how her search for meaning has left her irreparably damaged.

As Martha’s behaviour escalates from merely eccentric to hysterical, Lucy and Ted struggle to help; Olsen brilliantly portrays both the opaque object of their frustration and the subject of crippling confusion and panic. Hawkes – who played Teardrop in Winter’s Bone – powerfully conjures menace from hippie-like calm. By the time he’s spouting such truly insane aphorisms as “Death is pure love”, Martha’s in way too deep to ever really be herself again.