The Thousands

Russell sits at work with a blistering hangover, repeatedly revising a text to a guy he picked up the night before: “I feel like shit.” Should I add a smiley face? Oh no wait – how about an exclamation point?

Weekend does an excellent job portraying the many modern day complexities of meeting someone you like, letting (or not letting) them know, and starting (or not starting) a relationship. The intimate details of this male / male coupling make the film particularly insightful and funny for homosexuals, especially if you’ve always felt like outsiders to ‘gay culture’. But the pair’s predicament will resonate with anyone who has felt their heart flutter or break in the last decade.

Though it’s a small film, Weekend grabs at a lot of big ideas that will needle you long after it ends. Writer/director Andrew Haigh crafts characters that are refreshingly imperfect, and so three-dimensional you actually hear them speak (rather than their screenwriter). I hate to harp on the gay thing (and to call this a ‘gay film’ is reductive) but in comparison to the bulk of gay narratives, where all onscreen action is intended to provoke one of three physical responses (laughs, boners, or tears) having a film that appeals to your head and heart is extremely rare.

Beautifully shot, Haigh’s Weekend artfully unpacks the issues surrounding the roles we play in relationships and in life. And, thankfully, it doesn’t provide any easy answers.